One of my favorite car color combos.
Porsche 917 Colorboard
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Deep Ellum Texas Prints now available in the NOMO/SHOP
10 of the 100 Deep Ellum Texas screen prints I created for the Black Swan Saloon in Dallas, Texas, are available in the my shop, numbered #85-94. Better yet, if you’re in Dallas go check out the bar and purchase a print there.
Limited edition of 100 prints
Signed and numbered
18″ x 24″
Metallic Silver ink
Black 80# Speckletone Cover by French Paper Co.
All posters are shipped in crush proof recycled cardboard tubes.
Goose Island Bourbon County Stout
Color Series for Men
There are a lot of these color boards floating around the web these days, however, most of them pull hues from a slightly more feminine image base. Here are some counterparts, or as Blaine Edwards and Antoine Merriweather would propose “Men on Colors” – Colors from a male point of view.
Nike Shield Pack via Sneakerfiles
Tommy Ton via GQ
New Screen Prints in the NOMO/SHOP
N-E-R-V-O-U-S System
My wife and I don’t give each other gifts for Valentine’s Day, but I do like to occasionally give her a gift mid-February. This year, I had to finally buy one of the creations from Nervous System.
Wave Bracelet
Chicago in Fog
Camped out in the hospital for a few days after my wife gave birth to our son. These fogs move through Chicago all the time but I had a great view from my window sill bed. The forefront building is Water Tower Place with the Hancock Tower angling behind. Naturally desaturated images always move to the top of my list.
Film Chroma: The Kings Speech
Illustrations by Atelier Olschinsky
Film Chroma: Tron Legacy
I had a quick idea yesterday to see what a movie would look like simplified down to its color palette. What if anything can you tell of a film’s mood, pace or story this way? I mocked up Tron Legacy, taking a film grab every minute and averaging each scene down to just one color. Admittedly you do lose quite a bit this way, where a high contrast black and white scene becomes gray. I’ll rework a version sampling each scene down to 4 or 6 colors to accommodate that. The color blocks start top left with the beginning of the movie and move to the right, then restarting down a row and moving right again. I’ll try another film when I get a few free moments to see how they compare.
Each scene sampled to 4 colors